February 1955 Popular Electronics
[Table of Contents]
People old and young enjoy waxing nostalgic about and learning some of the history of early electronics. Popular
Electronics was published from October 1954 through April 1985. All copyrights are hereby acknowledged. See all articles from
Just in time for Halloween, John T. Frye's teenage sleuths
Carl & Jerry unexpectedly recorded a late-night conversation
between two men where they plot how to dispose of the 'body'
when death occurred as a result of prolonged choking. Employing
their trademark technical prowess and scheming ability, the
pair sets a trap for the perpetrators and dutifully summon the
authorities as they complete their nefarious act of the night
before. Halloween comes into play because the recordings were
made for use in creating sound effects during the reading of
Edgar Allen Poe's
The Pit and the Pendulum and
The Cask of Amontillado.
Carl & Jerry: Two Detectors
By John T. Frye
At Jerry's invitation, Carl had accompanied him to Carter's
Feed Store on their way home from school. Not until they were
inside the store did the long and rangy Carl learn that his
chubby companion had a reason behind his invitation: he wanted
help in carrying home some of his recording equipment that was
at the store. Jerry thanked Mr. Carter profusely for something
- Carl could not make out exactly for what - and the two boys
started home. By some chance Carl found himself carrying the
tape recorder that weighed a good thirty pounds, while Jerry
padded along carrying a timer clock whose weight could be measured
"You know," Carl ruminated aloud, "I used to wonder why you
didn't take up with a good strong packhorse for a chum instead
of me; but then I realized you would have to feed a horse!"
"Let's not be bitter!" Jerry said as he delicately steadied
the clock on top of his flat-top crew cut with the right forefinger
while, with his left hand on his hip, he minced along with the
exaggerated prance of a baton twirler beside the trudging Carl.
"You are a victim of what might be called muscle oblige, which
is French for, 'Them as has muscles have gotta use 'em.'"
"That's so nice to know," Carl observed sarcastically. "Why
did you have this recording junk down at the feed store, anyway?"
"I wanted to make a recording of rats squealing, and that
store has got the rats. I nailed a piece of meat to the floor
just under the microphone and set this timer clock to cut the
recorder on for fifteen minutes around midnight. I figured that
by that time the rats would be having a real ball and I ought
to get some dandy squealing."
"And why," Carl patiently pursued, "did you want a recording
of rats squealing?"
"For the new party game tape I'm working out called Horror
Story Sound Effects. On this tape will be several sound effect
strips, each one representing the sounds that might have been
heard in an important scene from a well-known horror story.
At a party this tape will be played in the darkness and the
guests will try to guess the title of the story represented
by each sound effect. As an example, I rasp a mason's trowel
across a brick a few times, rattle a chain, and give a muffled
crazy laugh with the microphone shut up in my clothes closet.
That represents the scene where Fortunato is being walled up
in The Cask of Amontillado, by Poe."
"Hey, that's keen," Carl applauded.
"For The Pit and the Pendulum, I want to use the
sound effect for the story's climax where the swinging crescent
of sharp steel is just about to cut into the victim while the
rats are squealing and fighting as they gnaw at his food-smeared
bonds. Swishing a wood lath back and forth in front of the microphone
takes care of the sound of the swinging knife, but nothing sounds
like a rat squealing but a rat himself."
"Well," Carl observed as they reached the basement entrance
of Jerry's laboratory, "We'll soon know what we've got on the
In a few minutes the recorder was set up and the boys were
listening intently to the faint rustling sounds coming from
the speaker. At first, these were the only sounds heard, but
after a few minutes the rats apparently became accustomed to
the slight noise made by the running recorder and returned to
their feast. As they did so, their fighting and squealing rose
to a crescendo which was all Jerry could want. He reached over
to switch off the recorder, but just as he did so a sound came
from the speaker that stopped his hand in mid-air. It was a
man's gruff voice, faint and muffled, but clearly understandable:
"You're late. How come?"
"The job took longer than I expected," a younger man's voice
replied. "She took an awful lot of choking before she finally
died and I had to drag her into the garage."
"No one saw or heard you, did they?
Those Hollywood types get a lot of attention."
"I'm sure they didn't. Now I've got another problem. The
boss says I've got to get rid of the body right away. How about
your helping me dump it tomorrow night?"
"Okay. Do you think we ought to cut it up first to make identification
"That won't be necessary. We can just throw the body on your
flatbed truck and spread a canvas over it and then drive to
that old abandoned stone quarry west of town. Once it's at the
bottom of that, no one is ever going to find it."
"All right, I'll be over at your place with the truck about
twelve-thirty tomorrow night; then we can-"
At this point the slapping of a freed end announced that
the short tape had passed through the machine.
"Holy cow!" Carl breathed softly, "What a time to run out of
tape! We've been listening to a couple of murderers."
"And the victim must have been a pretty Hollywood starlet,"
Jerry said, his staring round eyes matching his round face.
"That microphone was hanging just below a window that opens
out into an alley. Those killers must have been standing just
outside that window."
"Well, what are we waiting on?" Carl demanded as he jumped
to his feet. "Let's take this recording down to the police."
"Hold on," Jerry admonished. "Don't forget that since the
police found we were behind that starling-scaring business,
we are not exactly the fair-haired boys with them. If we take
this down there now, they will think we cooked the whole thing
"Surely you're not going to just sit there and let those
crooks get away with choking that pretty little starlet to death,
are you?" Carl demanded as he paced impatiently up and down
"No, but we've got to go at this calmly," Jerry announced
as he assumed his favorite position on the couch with his head
pillowed on his clasped hands. "After all, the crime has already
been committed, so we can't stop it from happening. What we
want to do is make sure the murderers are punished, right?"
"I guess so."
"We know they are going to try and dispose of the body tonight
shortly after midnight; and we are both familiar with the quarry
where this is to take place. All we have to do is let them try
to carry out their plan and then arrange for the police to catch
them right in the act."
"And just how, if I may be so bold as to ask, are we going
to manage this little thing?"
"Suppose tonight we ride our bicycles out to the west edge
of town and take along a couple of those two-meter walkie-talkies
our radio club built up for Civilian Defense work. One of us
can station himself at the stone quarry, and the other can stay
close to that all-night drugstore at the edge of town. That
means we'll only be about a mile apart and can communicate with
each other easily. Then when you - I mean when the person at
the quarry sees the truck turning into the quarry gate he can
flash the word to the fellow at the drugstore. This fellow can
then telephone the police to send a squad car to the stone quarry.
After the squad car has arrived and caught the cold-blooded
killers right in the act of disposing of the body, we can come
forward and modestly admit we were the detectors - I mean the
detectives - who engineered the whole clever affair. Any questions?"
"Just one," Carl said slowly as he glowered suspiciously
down at the reclining figure of his chum. "Who stands watch
at the quarry?"
"Why, Carl," Jerry said with round-eyed elaborate carelessness,
"I hadn't even thought about that, but I'd better take the job.
Of course, since I'm short-legged and a little inclined to be
pleasingly plump, I couldn't run very fast if something went
wrong, and the men would be sure to catch me and send me down
to the bottom of the quarry too, but that's all the more reason
why I wouldn't want my best friend to take any chances, even
though he is the fastest sprinter our high school has ever had.
"All right, all right!" Carl interrupted.
"I'll go to the quarry; but don't think you suckered me into
it. It's just that I'd as soon be scared to death as talked
to death. I'll get the gear together and see you back in
the alley about eleven o'clock."
But Carl did not get out of the house at eleven. His folks
were watching the late TV show, and it was impossible for him
to get out of the house without their noticing until almost
a quarter to twelve. The two boys rode their bicycles swiftly
to the edge of town and there they parted. Jerry took up his
vigil in a dark shadow beside the drugstore, while Carl bravely
rode off into the darkness along the road leading past the quarry.
It seemed a long time before Jerry suddenly heard Carl's
welcome voice in the earphone of the walkie-talkie pressed close
against his ear: "W9CFI, this is W9EGV calling. How do you copy?"
"Five by nine," Jerry said softly with his lips almost touching
the mike of the transceiver. "Where are you?"
"Under the bridge that leads off the road into the quarry,"
Carl reported. "This ditch is dry and deep enough for me and
my bike both to get under here. What time is it?"
Jerry cautiously peered around the corner of the building
at the clock hanging in the front window before he announced,
"Twelve forty-five. See anything of the murderers yet?"
"Don't use that word!" Carl said hoarsely. "I hope this doesn't
take long. It's not exactly cosy under this bridge."
"I believe that," Jerry said, "because I can hear your teeth
"Hey, I see a pair of lights coming down the road," Carl
announced excitedly. "I'm going to duck back under the bridge,
and if you hear the truck pass over, get ready to make that
phone call muy pronto. It's getting closer; now it's slowing
down-" his voice trailed off at this point, but he kept the
transmit switch held down, and Jerry could distinctly hear the
hollow rumble as a heavy vehicle passed over the wooden bridge.
"It's them," Carl said in a hoarse whisper with a reckless
disregard for his English. "Make that call and ride out here
as fast as your fat little legs will carry you. I may need help."
Waiting to hear no more, Jerry tossed the transceiver into
the basket of his bicycle and slipped into the phone booth of
the drugstore. He dialed the already-memorized police number
and tucked his chin down so as to make his voice come from his
chest, rendering it - he hoped- deeper and more mature.
As soon as a man's voice answered, he carefully intoned: "Listen
carefully. Two murderers are disposing of the body of a victim
at this very moment at the old stone quarry a mile west of town.
If you send a squad car immediately, you can catch them in the
Then, without waiting for an answer, he quietly hung up the
receiver and slid out of the drugstore. Now, ordinarily Jerry
had an almost pathological aversion to exercise in any form,
but let it be said to his credit that this once he did not spare
the horse power as he pedaled swiftly down the road toward his
friend in danger. The night was dark, and he kept his bicycle
light turned off. This made it very difficult to tell exactly
where he was, especially since his eyes were still not completely
accustomed to the darkness. Just as he was thinking that he
must be nearing the quarry, there was a sudden pinging sound.
His bicycle rose beneath him like a bucking bronco, and he sailed
over the handlebars to make a perfect three-point landing on
his knees and nose in the frozen gravel of the roadway.
Before he could gather his scattered senses, Carl was dragging
him by an elbow toward the deep ditch at the side of the road
and hissing into his ear, "Get down here in the ditch before
they see us. I crawled up a few yards to wait for you, but you
came along so fast I didn't have time to flag you down. I was,
afraid to call out, so I just grabbed up a stick and ran it
through your front spokes. That stopped you!"
"Oh fine!" Jerry muttered as he tenderly felt his scraped
nose. "Here I am rushing to help you, and you try to murder
"Quit griping," Carl hissed. "With all that natural padding
you've got, a little bump isn't going to do any damage. Let's
get back under the bridge until the squad car comes."
They had barely reached this sanctuary before they heard
the wailing of a siren, and a few seconds later the flashing
red light of a squad car rapidly approached down the road. With
a great screeching of brakes and showering of gravel the car
slowed down and turned abruptly across the bridge. The boys
immediately popped out of their hiding place to see a truck
and two men standing in the glare of the squad-car spotlights.
"All right, you two; don't move!" one of the officers commanded
as he stepped from the car with a drawn gun. "What are you up
"Why we were just getting ready to dump a body-" one of the
"Ha! So you admit it," the officer said menacingly. "Mack,
you cover me while I examine the body."
With his gun still drawn, the policeman stepped forward cautiously,
taking care not to come between the gun of his fellow officer
and the two men, and jerked the canvas from the object on the
truck. The two boys had stolen out of the ditch and were standing
right at the rear fender of the squad car. The simultaneous
gasp they gave as the canvas slipped to the ground so unnerved
the policeman standing beside the car that he tried to point
his gun in all four directions at the same time and came very
close to shooting a hole in the squad car itself.
"It's a car body!" the boys said in chorus.
"And what did you think it was?" demanded one of the men
in the spotlight. "Hey, where did you kids come from?
Did one of you call us?" the officer near the car demanded.
"Ye-yes, I did," Jerry quavered. Then he told the whole story
of the tape recording. Before he finished the two men with the
truck were slapping each other on the back and laughing so hard
they could scarcely stand up. Finally the younger one wiped
his eyes and started to explain:
"I do some dirt track racing. Jack here, who works at a machine
shop from 4 p.m. until midnight, helps me fix up my cars. I
often talk with him after he eats a midnight snack at the restaurant
right across the alley from the feed store. Last night I was
telling him about a beat-up racecar I had bought in a neighboring
town and had managed to drive home. The heap was in such sad
shape that I had to keep choking the motor to make it run. It
finally died completely right in front of the house and I had
to tow it into my garage. We weren't going to use the old body
and my wife said I had to get rid of it. I call my wife 'The
Boss' - just kidding, of course."
"We're both married; we understand," one of the policemen
"In this race business, every driver likes to keep the other
drivers guessing about a new rod he intends to use. That's why
we didn't want anyone to see the car we were rebuilding. Leaving
the old body lying around would be a giveaway, so we were going
to drop it into the quarry."
"What was that about 'the Hollywood type attracting a lot
of attention,''' Carl asked.
"The jalop had a Hollywood muffler on it that made a lot
of noise when you gunned the motor," Jack explained promptly.
The older policeman studied the dejected faces of the two
boys for a few seconds and then said kindly, "Don't take it
so hard, fellows. Even without hearing that tape, I can imagine
how convincing it must have sounded. And if it had been a serious
affair, you did a good job of detecting."
Jerry looked up with a sudden expression of resolution. "From
now on," he announced, "'detection' is going to be just a radio
term as far as I am concerned."
"I'm with you," Carl said fervently as he started toward
Carl & Jerry: Their Complete Adventures is now available. "From 1954 through 1964,
Popular Electronics published 119 adventures of Carl and Jerry, two teen boys with a passion for electronics and a knack
for getting into and out of trouble with haywire lashups built in Jerry's basement. Better still, the boys explained how
it all worked, and in doing so, launched countless young people into careers in science and technology. Now, for the first
time ever, the full run of Carl and Jerry yarns by John T. Frye are available again, in five authorized anthologies that
include the full text and all illustrations."
Carl & Jerry Episodes on RF Cafe
- Carl & Jerry: Anchors Aweigh, July 1956
- Bosco Has His Day, August 1956
- The Hand of Selene, November 1960
- Feedback, May 1956
- Abetting or Not?, October 1956
- Electronic Beach Buggy, September
- Extra Sensory Perception, December
- Trapped in a Chimney, January 1956
- Command Performance, November 1958
- Extracurricular Education, July
- Treachery of Judas, July 1961
- The Sucker, May 1963
- Stereotaped New Year, January 1963
- The Snow Machine, December 1960
- Extracurricular Education, July
- Slow Motion for Quick Action,
- Sonar Sleuthing, August 1963
- TV Antennas, August 1955
- Succoring a Soroban, March 1963
- "All's Fair --", September 1963
- Operation Worm Warming, May 1961
- The Crazy Clock Caper, October 1960
- Two Detectors, February 1955
- Tussle with a Tachometer, July 1960
- Therry and the Pirates, April 1961
- The Sparkling Light, May 1962
- Pure Research Rewarded, June 1962
- A Hot Idea, March 1960
- The Hot Dog Case, December 1954
- A New Company is Launched, October 1956
- Under the Mistletoe, December 1958
- Electronic Eraser, August 1962
- Blubber Banisher, July 1959
- "BBI", May 1959
- Ultrasonic Sound Waves, July 1955
- The River Sniffer, July 1962
- Ham Radio, April 1955
- El Torero Electronico, April 1960
- Wired Wireless, January 1962
- Electronic Shadow, September 1957
- Elementary Induction, June 1963
- He Went That-a-Way, March1959
- Electronic Detective, February 1958
- Aiding an Instinct, December 1962
Posted October 21, 2014