June 1955 Popular Electronics
Wax nostalgic about and learn from the history of early electronics. See articles
published October 1954 - April 1985. All copyrights are hereby acknowledged.
Television, in 1955, was
still a relatively new phenomenon to many - maybe even most - people. According
sources, the portion of American households with
a TV set went from under 20% in 1950 to nearly 90% ten years later in 1960. That
was a meteoric rise, particularly considering the expense of even a minimal TV.
The technology was not even available commercially when most people were born, so
the rush to join in on the craze was akin to the mass adoption of cellphones in
the 1990s. "Carl & Jerry" creator John Frye used his pair of electronics-savvy
teenagers to help make the "magic" behind recreating a moving picture on a cathode
ray tube (CRT) miles away from where it was created. Water flowing through a garden
hose has often been employed as an analogy for current flowing through a wire to
explain electricity to laymen and beginning students of the craft. Here, it is not
water flowing through the hose but water leaving the hose and flowing through the
air that serves to represent an electron stream travelling from the electron gun
to the phosphor-coated glass front of a CRT. Frame rates, scan lines, deflection
coils, and other relevant terms are introduced. Not mentioned, understandably, is
that due to the
relativistic speed of electrons in the beam,
the magnetic field of the deflection coils needs to be increased to account for
the increased effective mass of the electrons. Otherwise, the scan width and height
would be less that that predicted by classical physics.
Carl & Jerry: TV Picture
By John T. Frye
Aided by a garden hose, Jerry explains how a TV picture is made to appear on
the screen of a receiver.
It was hot, and Jerry certainly hurrying was not at his job of washing the family
car. From time to time he looked wistfully across the back yard at the house of
his friend, Carl Anderson; but he never presented himself - never, that is, until
Jerry had given the gleaming hood a final flick of the chamois and collapsed on
the ground to mop his sweating round face.
Then Carl ambled out the back door of his house and slowly strolled over to where
Jerry was sprawled on the grass beside the garage. "Rather warm today, isn't it
?" he remarked politely as he stifled a bored yawn.
"I wouldn't know," Jerry grunted. "I've been too busy to notice. Of course, if
one is too lazy to help one's buddy out, and if all one does is sit around the house
like a lounge lizard, I suppose one might think it hot."
"Now don't get your nose hard," Carl said with a disarming grin. "I made up my
mind that this was one time you were not going to rope me into helping you. For
once," he boasted, tapping his temple with a forefinger, "I used the old bean and
stayed in the house until you were finished. Anyway, I was doing some heavy thinking.
I was trying to figure out exactly how a TV picture is made to appear on the screen
of a receiver."
"Nothing hard about that," Jerry scoffed, as he pulled up a handful of grass
and threw it at his chum.
... at this instant the kinked hose in Carl's hands suddenly
gave way ...
"Okay," Carl challenged; "suppose you fill me in on the subject."
"In the first place," Jerry began, as he picked up the garden hose and opened
the nozzle, "you have what is called an electron-gun structure at the very back
of the picture tube neck. This gun emits a stream of electrons in the same way this
hose shoots a stream of water at that garage wall. The electron beam is focused
to produce the smallest possible round beam of electrons just as I adjust the nozzle
here to produce a small round stream of water.
"When the stream of electrons strikes the fluorescent material coated on the
inside of the picture tube face - the part you call the screen - the material glows
and gives off light at the point of impact. Generally speaking, the more electrons
in the beam, the brighter is this spot of light on the screen.
"Keep in mind that the electron beam current in a picture tube corresponds to
the plate current in an ordinary radio tube. In the picture tube the fluorescent
screen takes the place of the radio tube plate. In a vacuum tube you put a fixed
negative bias voltage on the grid to make the resting plate current assume a certain
value, but in a picture tube you establish a similar bias voltage level with the
brightness control, so the beam current has a certain static no picture value. In
a vacuum tube you then apply a signal to the control grid and that causes the plate
current to move up and down in accordance with the amplitude and polarity of the
signal voltage. In the picture tube, the beam current follows the picture signal
voltage applied to the control grid in the same manner. The only difference is that
in a radio tube circuit you have to use meters to observe the changes in plate current;
but in a picture tube you can observe the variations in beam current as an increase
or decrease in fluorescent brightness on the screen."
"I'm still with you," Carl drawled, as he kept his eyes closed behind his horn-rimmed
glasses. "But all that does is produce a bright spot. What I want to know is how
a picture is made."
"You've got to learn to crawl before you walk," Jerry admonished. "That little
spot of light is our paint brush, and we must be able to move the beam producing
it to any portion of the screen. What's more, the movement of this beam must be
done in a uniform and systematic manner. Suppose this portion of the garage wall
I'm marking off with water from the hose is our picture tube screen, and the stream
of water represents the electron beam inside the tube. Now I'll start over here
in the upper left-hand corner of our screen and move the beam across to the right.
Then I jerk it back very quickly, move the stream down a little, and draw another
line below the first. Then I draw another line below that, and so on until I reach
the bottom of the screen. Next I go back up and draw another series of lines between
those already drawn until I again reach the bottom. Because the screen material
will continue to glow for a small fraction of a second after the electron beam has
moved on and because of the persistence of human vision, the result of this rapid
back-and-forth and slower up-and-down deflection of the electron beam results in
a raster of a number of interlaced parallel horizontal lines on the face of the
"How many lines ?" Carl wanted to know.
"The first trip down across the face of the tube the beam draws 262 1/2 lines
to complete the first field as it is called. Then the beam goes back to the top
and draws 262 1/2 more lines between those already drawn to make the second field.
The total number of lines drawn in the two fields that are combined to make a single
picture or frame as it is called, is 525."
"I'll count 'em sometime and see," Carl said skeptically.
"Well, don't expect to get exactly 525," Jerry warned. "That back and forth motion
keeps right on going while the beam is being returned from the bottom of the picture
to the top between fields, but you do not see these retrace lines because they are
blanked out. About twenty -five lines per frame are lost in this manner."
"How is that beam moved back and forth and up and down ?" Carl quizzed.
... Jerry pulled up a handful of grass and threw it at his chum
"That's a little complicated to explain in simple terms, but I'll try," Jerry
said manfully. "You know that voltmeter I have that has a zero-center scale. When
we a current through the meter coil in one direction, the pointer moves in one direction;
but if we reverse the direction of the current, the pointer is deflected to the
opposite side of the scale. Reversing the direction of the current through the meter
coil reversed the polarity of the magnetic field produced by that coil; and this
field reacted with the fixed magnetic field of the field magnets in the meter to
cause the pointer's action.
"A coil called a deflection yoke is divided into two parts and these two series-connected
coils are arranged opposite one another along the neck of the picture tube at a
point along the path of the electron beam on its way to the screen. Now a beam of
electrons creates a magnetic field about it just as a stream of electrons, representing
a direct current through a wire, creates a field about that wire that can be detected
with a compass. You remember we did that experiment in physics class when we were
studying the right-hand rule. If we put a current through our series-connected coils,
they set up a magnetic field in the portion of the tube neck between them. The magnetic
field of the electron beam and the magnetic field produced by these deflection yoke
coils react with one another in such a way that the electron beam moves in a direction
which will minimize this reaction. The direction and extent of the movement of this
weightless, inertia-free electron pointer depends upon the strength and direction
of the current through the deflection yoke coils.
"By making the current through the deflection yoke take the form of a saw-tooth
- a current pulse that builds up gradually from zero to a certain value and then
falls very quickly to zero again - we can make the beam move comparatively slowly
from left to right across the tube face and then snap back quickly to the left side
of the screen.
"A similar saw-tooth of current at a much lower frequency which is passed through
another pair of deflection yoke coils mounted at right angles to the ones producing
horizontal deflection makes the beam move comparatively slowly from the top of the
tube to the bottom and then snap back to the top again. These two magnetic fields,
exerting their combined influence on the electron beam simultaneously, cause it
to describe the line-drawing process, or scanning, as it is called, that we were
"How many of these frames or pictures occur in a minute ?"
"It's easier to measure them by the second. Sixty fields, or thirty complete
frames, occur every second. Breaking each picture up into two fields cuts down the
possibility of flicker and also has some other advantages. Movie cameras in theatres
use the same basic system to reduce flicker. The film speed in those machines is
twenty-four frames per second, but each frame is projected twice to produce a total
of forty-eight picture-showings per second."
"That little old spot of light on the picture tube must be hustling."
"You're not kidding. I figured out one time that on a twenty-one inch tube the
spot of light must be traveling at a line-drawing speed of about 16,000 miles per
hour. The speed during retrace action is about ten times that."
"Okay, let's get on with it," Carl prodded. "All you've produced so far is a
raster of 500 parallel lines of brightness on our screen."
"Muy bien, Buddy, but you can help from here on in," Jerry said. "You can be
the modulator for our TV transmitter. Throw a kink in that hose and when I say Vut,
stop the water until I say Open. This fresh section of garage wall I'm marking off
with the hose will be our screen. The picture we receive will be the simple one
of a black telephone pole standing out in a snow storm. Remember the wet wall indicates
white on our screen and the dry portion represents black.
"At the transmitter," Jerry went on, "there is a tube in the camera that is a
sort of miniature version of the picture tube in the receiver. The image of the
scene being photographed is focused on the screen of this tube, and this image is
scanned by an electron beam just as we described. What's more, the scanning beam
in the camera tube and the one in the receiver picture tube are kept locked exactly
in step with even more precision than the movements of the June Taylor Dancers on
the Jackie Gleason show."
"Now I'm beginning to get a picture," Carl murmured with his eyes still closed.
"When the scanning beam of the camera tube strikes a light portion of the picture,
it causes the amplitude of the transmitter carrier to be reduced; when it moves
to a dark picture element, the carrier amplitude increases. How much the carrier
decreases or increases depends upon how light or dark that particular picture element
"In our TV receiver this increase or decrease of carrier strength is translated
into increasing or decreasing negative signal voltage applied to the control grid
of the picture tube. Keep in mind that a change in this voltage is immediately apparent
as a change in brightness in the line or lines being traced on the screen at the
instant the change takes place. Holding all this in mind, let's start scanning our
garage-wall picture. First I start at the upper left-hand corner with the stream
of water. As I get to about the middle of our screen, I say, 'Cut!' "
Obediently Carl kinked the hose sharply and the water stopped. Jerry moved the
nozzle over a bit and commanded, "Open," and Carl released the pressure so that
the drawing of the line could be completed. In this manner several interrupted wet
lines were drawn across the garage wall inside the rough rectangle Jerry had marked
off with the stream. Then the water was cut off while Jerry went back to the top
of his "screen" and started drawing another set of interrupted lines between those
already drawn. The result was a completely wet rectangle with a rather crude vertical
dry stripe up the center. Between directions to Carl, Jerry continued to lecture.
"The directions I'm giving you are the ones given to the transmitter by the pickup
tube in the television camera. These directions are passed on to the TV receiver
through its antenna, and inside the receiver are passed right to the electron beam
inside the picture tube. That means that when the scanning beam of the camera tube
is moving across a light portion of the scene, the TV picture tube is showing a
bright line. When the camera tube scanning beam is on a coal-black picture element,
the beam of the picture tube is cut off and the screen is allowed to go black. In
short, since these two beams are in exact synchronization, whatever is seen by the
camera tube scanning beam is shown on the face of the picture tube by variations
in the intensity of its beam. Gray shades are portrayed simply by reducing the intensity
of the picture tube beam without actually cutting it off entirely. The nearer the
voltage applied to the control grid of the picture tube approaches the cutoff voltage,
the dimmer is the line drawn by the beam and the darker is the shade of gray. Well,
here goes the last line of our picture. What do you think - ?"
He never got to finish his question. At this instant the kinked hose in Carl's
hands suddenly gave way and threw a great spray of water over both boys and over
the gleaming automobile against which they had been leaning.
"Hey, the modulator's busted!" Carl yelled as he scrambled for the valve to shut
off the hose. It was too late. The freshly washed car was splattered all over from
the shower it had received.
Jerry surveyed the damage ruefully for a moment and then picked up two pieces
of chamois skin and held one out to Carl.
"Be my guest!" he invited.
Posted August 8, 2019
Carl Anderson and Jerry Bishop were two teenage boys whose
love of electronics, Ham radio, and all things technical afforded them ample opportunities
to satisfy their own curiosities, assist law enforcement and neighbors with solving
problems, and impressing – and sometimes toying with - friends based on their proclivity
for serious undertakings as well as fun.
Carl & Jerry, by John T. Frye
Carl and Jerry Frye were fictional characters in a series of short stories that
were published in Popular Electronics magazine from the late 1950s to the early
1970s. The stories were written by John T. Frye, who used the pseudonym "John T.
Carroll," and they followed the adventures of two teenage boys, Carl Anderson and
Jerry Bishop, who were interested in electronics and amateur radio.
In each story, Carl and Jerry would encounter a problem or challenge related
to electronics, and they would use their knowledge and ingenuity to solve it. The
stories were notable for their accurate descriptions of electronic circuits and
devices, and they were popular with both amateur radio enthusiasts and young people
interested in science and technology.
The Carl and Jerry stories were also notable for their emphasis on safety and
responsible behavior when working with electronics. Each story included a cautionary
note reminding readers to follow proper procedures and safety guidelines when handling
Although the Carl and Jerry stories were fictional, they were based on the experiences
of the author and his own sons, who were also interested in electronics and amateur
radio. The stories continue to be popular among amateur radio enthusiasts and electronics
hobbyists, and they are considered an important part of the history of electronics
and technology education.
- Going Up
- March 1955
Shock - September 1955
- A Low Blow
- March 1961
- The Black
Beast - May 1960
Electronik, September 1958
- Pi in
the Sky and Big Twist, February 1964
Bell Bull Session, December 1961
Boogie, August 1958
- TV Picture,
Eraser, August 1962
Trap, March 1956
at Work, June 1956
Aweigh, July 1956
Has His Day, August 1956
- The Hand
of Selene, November 1960
or Not?, October 1956
Electronic Beach Buggy, September 1956
Extra Sensory Perception, December 1956
in a Chimney, January 1956
Performance, November 1958
of Judas, July 1961
- The Sucker,
New Year, January 1963
Snow Machine, December 1960
Extracurricular Education, July 1963
Slow Motion for Quick Action, April 1963
Sleuthing, August 1963
- TV Antennas,
a Soroban, March 1963
Fair --", September 1963
Worm Warming, May 1961
Operation Startled Starling - January 1955
- A Light
Subject - November 1954
Teaches Boy - February 1959
- Too Lucky
- August 1961
and Jeopardy - December 1963
Santa's Little Helpers - December 1955
Tough Customers - June 1960
Pocket Radio, TV Receivers
Yagi Antennas, May 1955
Stomping, March 1962
- The Blubber
Banisher, July 1959
- The Sparkling
Light, May 1962
Research Rewarded, June 1962
- A Hot Idea, March
- The Hot Dog
Case, December 1954
New Company is Launched, October 1956
the Mistletoe, December 1958
Eraser, August 1962
- "BBI", May 1959
Sound Waves, July 1955
- The River
Sniffer, July 1962
- Ham Radio,
Torero Electronico, April 1960
Wireless, January 1962
Electronic Shadow, September 1957
Induction, June 1963
- He Went
Detective, February 1958
an Instinct, December 1962
- Two Detectors,
with a Tachometer, July 1960
and the Pirates, April 1961
The Crazy Clock Caper, October 1960
Carl & Jerry: Their Complete Adventures is
now available. "From 1954 through 1964, Popular Electronics published 119 adventures
of Carl Anderson and Jerry Bishop, two teen boys with a passion for electronics
and a knack for getting into and out of trouble with haywire lash-ups built in Jerry's
basement. Better still, the boys explained how it all worked, and in doing so, launched
countless young people into careers in science and technology. Now, for the first
time ever, the full run of Carl and Jerry yarns by John T. Frye are available again,
in five authorized anthologies that include the full text and all illustrations."