February 1958 Radio-Electronics
Wax nostalgic about and learn from the history of early electronics.
See articles from Radio-Electronics,
published 1930-1988. All copyrights hereby acknowledged.
If you happen to be Estonian,
you might think of something entirely different than most of us do when we hear
the word "getter." In fact, you probably capitalize the word since it is the name
of a pop singer from your country,
Getter Jaani. If you are a child living in Japan,
you would probably think of
Getter Robo, an anime from a popular cartoon
series. I, and I dare say just about everyone else that visits RF Cafe, knows
getter as that silvery deposit
(typically barium) that resides inside vacuum
tubes for the purpose of helping to maintain the vacuum and to absorb pesky random
might otherwise cause electrical noise
in the circuit. This article from a 1958 edition of Radio-Electronics discusses
the purpose of getter. BTW, I had never heard of either of the other two Getters
due to OGS (old guy syndrome).
Notes on the Getter
By Norman V. Becker
Getter inside 12AU7 vacuum tube. (RF Cafe
In high-gain audio circuits, tube noises such as hiss and frying are some of
the most troublesome things encountered. They can be eliminated only by selecting
tubes which are inherently quieter or by reducing stage gain with negative feedback.
In the latter instance gain might have to be reduced by such a factor as to defeat
the original purpose.
Hiss is created by dc resistance paths existing between various elements inside
the tube. These leakage paths may be as high as 1,000 megohms and would not upset
normal tube operation if they remained constant. But like a bad carbon resistor,
they create noises of their own through random and erratic changes of resistance.
Leakage paths of this sort are primarily located on the top mica support wafer,
where the support rods are punched through. If the wafer is contaminated by impurities,
it becomes a highly unstable conductor, connecting tube elements through very-high-resistance
paths. Unfortunately, contamination of the wafer during tube manufacture is almost
unavoidable. Before sealing the tube envelope, as much air as possible is exhausted
by vacuum pumps, but a small percentage of oxygen and other gasses remain inside.
This is where the getter comes into the picture. A small square loop of wire
usually located at the top of the tube, part of it coated with an explosive substance
similar to that used in photoflash bulbs. High-frequency radio waves penetrate the
sealed envelope and heat the getter to a temperature high enough to fire this coating.
This miniature explosion burns up the remaining atmospheric gasses inside the tube
and, at the same time, splatters a mirror-like silver coating over a portion of
the inner surface (a familiar sight in glass tubes). Some of this splatter falls
on the mica wafer, making it slightly conductive.
To reduce contamination of this sort, certain premium tubes are manufactured
in which the space between getter and wafer is materially increased. In other types
two top wafers are used - the upper one insulated from the lower - and act as an
umbrella to receive most of the splatter. Another method is to punch oblong slots
in the wafer. These openings effectively lengthen dc leakage paths and thereby reduce
In designing high-gain input stages for microphones and low-output pick-ups,
it is desirable to use premium tubes whenever possible. Special manuals describing
these types are published by tube manufacturers, giving electrical data, physical
dimensions, recommended applications, etc. In many instances premium tubes are directly
interchangeable with standard types which you might now be using. In addition to
reducing hiss, premium tubes are less microphonic, have lower hum and are generally
more dependable - and are more expensive.
Posted April 22, 2019 (original