(Random Access and Correlation for Extended Performance), was an early
form of frequency hopping spread spectrum (HFSS) devised by the Martin
Company (now Lockheed-Martin). It was used for secure voice communications
and worked by sampling speech in small 'slices' and then transmitting
each slice modulated onto a carrier whose frequency was determined by
a predetermined sequence of center frequencies. A receiver with a matching
sequence key would then decode the speech and, with appropriate filtering,
reassemble it into its original content. President John F. Kennedy had
such systems at his disposal whether on the road or in the Oval Office.
General Electric (GE) had a different idea it dubbed 'Phantom' that
spread the signal over a very wide bandwidth. Today, we refer to it
as Direct Sequence Spread Spectrum (DSSS). Not to be outdone, Hughes
Aircraft devised the 'Vocoder,' which is akin to synthesized speech
where a series of numbers, each representing a single syllable, is played
back sequentially to emulate a human voice. When this article was published
in 1962, the required circuitry took up a lot of volume, required a
lot of power, and was very costly. Today, an IC for a couple bucks does
the job a million times better and consumes a few milliwatts.
August 1962 Popular Electronics
of Contents] People old and young enjoy waxing nostalgic about
and learning some of the history of early electronics. Popular Electronics
was published from October 1954 through April 1985. All copyrights are hereby
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The Secret Keepers
By Ken Gilmore
latest methods of radio communications defy detection by any listener
- friend or foe.
Most radio communications systems are like "party
lines" - anyone can listen in. But electronics scientists have been
working overtime to come up with the equivalents, radio-wise, for the
more desirable (and costly) "private lines." Their objective: to allow
our military and government officials to transmit secret information
on the air with the full assurance that it can be "received" only by
those listeners it is intended for.
Perhaps the best known gadget
of this kind is President Kennedy's "scrambler." Thanks to this device,
the transmitters in his private automobiles and airplanes take his words
and turn them into a kind of electronic "hash." Then a special receiver
which is set for the right "code" unscrambles the hash and turns it
into intelligent speech again. The result is that no unauthorized listener
can eavesdrop on the President's conversations.
are coming up with a number of devices to allow "private radio communications.
And some of them - already being tested by the armed services - do the
job by performing a series of ingenious electronic tricks.
RACEP. The Orlando Division of the Martin Company has
come up with a system called RACEP (short for Random Access and Correlation
for Extended Performance) . One of the more promising schemes to insure
secrecy on the airwaves, RACEP is based on a principle that is really
quite simple - electronic circuits are capable of switching millions
of times a second, but our ears, by comparison, are very slow.
Therefore, suppose an electronic circuit were designed to snip tiny
samples out of words being spoken. Let's say this circuit takes 8000
such samples every second, and that each sample is one microsecond long.
Now suppose you're talking by radio and speak a 1-syllable word which
has a fundamental frequency of 200 cycles - about average for a man's
voice. During one cycle of your voice signal, the sampling circuit will
take 40 1-microsecond samples.
The equivalent of a private telephone system, the Martin Co's RACEP
needs no wires or central switching facilities.
Another new communications device, Hughes' vocoder, "condenses"
speech into basic sounds, reproduces it artificially.
The RACEP system transmits during only 1 microsecond out of 125,
but its "chopped-up" waveforms contain enough data for accurate
Pulse-modulated RACEP equipment similar to that shown above handles
as many as 70 separate conversations at the same time and on the
Vocoder transmits up to ten conversations in a bandwidth normally
If General Electric's "Phantom" were used on the standard broadcast
band, its carrier would occupy about the same space as 20 conventional
stations. But only a special wide-band receiver specifically "cued"
to a particular Phantom transmitter would respond to the broadcasts.
The pulses generated by this
sampling technique will trace out the shape of your voice waveform quite
accurately. Using just these pulses, decoding equipment at the receiving
end can reconstruct the original 200-cycle voice signal so well that
the human ear can't tell it from the original "unsliced" signal. Your
voice, in other words, has been transmitted faithfully by a series of
Now, to take it one step further, suppose the transmitter
keeps shifting its frequency, so that each pulse is sent out on a different
wavelength. A receiver, in order to pick up this tricky signal, must
be set to synchronize with the pulses at the proper repetition rate.
And, at the same time, the receiver must keep changing frequency exactly
in step with the transmitter, so that it's tuned in to each pulse at
the right time and at the right frequency.
Your words will be
heard clearly on this special receiver, of course, but they'd be lost
on any radio not set up to receive them properly. Military planners
are excited about RACEP because it would be almost impossible for enemy
electronics experts - even if they knew the principles involved - to
analyze the waveforms and build equipment capable of intercepting and
untangling the scrambled RACEP signals.
Another big advantage:
a RACEP user can call any receiver whose code he knows, simply by setting
up his transmitter to broadcast its pulses in that code. Battlefield
units could call each other as easily as dialing a telephone.
Let's say you want to call receiver 35. Just as you can call a friend
on the telephone if you know his number, you could call receiver 35
by dialing its number on your transmitter. The code you dial sets up
your transmitter to broadcast a series of coded pulses at a specific
repetition rate. Furthermore, each of the pulses is sent out on a slightly
different frequency. Each receiver, on the other hand, is set up to
receive signals which are broadcast at a predetermined pulse rate and
which change frequency in a pre-determined pattern.
If you transmit
the pulse pattern which receiver 35 is set up to receive, its operator
will hear your words as clearly as though you were speaking over a regular
radio. Other receivers, not set to detect this particular combination
of pulse rate and frequency changes, very likely won't hear a thing.
RACEP brings with it another advantage, too. Your voice
is sampled only one microsecond out of every 125. The system, then,
is working for one microsecond, and idle for 124. Your transmitter is
on the air only 1/125 of the time you are speaking, so many other transmitters
can be operating in the same frequency band at the same time without
interfering with you or with each other. Even if an occasional pulse
does happen to synchronize with another in both time and frequency,
this slight interference would be so brief as to be unnoticeable.
Development engineers at the Martin Company have found
that scores of conversations can be going on simultaneously in a band
about 4 mc, wide without seriously interfering with each other. Even
in such busy systems as air-to-ground radio, each individual is using
his radio only a small percentage of the time. Therefore, systems planners
estimate that up to 700 receivers could be operating in one area with
the RACEP system.
Phantom. RACEP isn't
the only new communications system. General Electric researchers have
come up with an entirely different approach which they call "Phantom."
The principle, again, is rather simple. A radio transmitter
- one used by a regular commercial radio station, for example - may
broadcast on a carrier frequency of 1000 kc. If it broadcasts a 5000-cycle
note - about the highest frequency transmitted by most AM stations -
this signal modulates the carrier so that the final output signal contains
frequencies between 995 and 1005 kc. Engineers call this a bandwidth
of 10 kc. (1005 - 995 = 10 kc.).
Your receiver has a bandpass
of about 10 kc., too. As you tune across the dial, you shift the position
of this bandpass. When you tune to 1000 kc., the bandpass is centered
around this frequency so that you receive all frequencies between 995
and 1005 kc. and thus hear the program the station is transmitting.
The Phantom system, however, would stretch the audio signal
over an extremely wide band of frequencies - perhaps 200 kc. or more.
The transmitted signal, then, would cover a band of frequencies from
900 to 1100 kc. Since it is spread over such a wide area, only a tiny
fraction of the signal would fall within the bandpass of an ordinary
It wouldn't be possible to tune in on the wideband
Phantom signal simply by having an extra-wideband receiver, either.
If you had this kind of setup, a jumble of stations broadcasting on
frequencies within the band You were covering would come tumbling in.
To get around this problem, Phantom designers "tag" the transmitted
signal with a special waveform. The Phantom receiver lets in only signals
which are identified by this waveform and rejects all others.
You may have heard Phantom broadcasts without knowing it. General Electric
has transmitted Phantom signals more than 2000 miles across the country
to test the system. Because this special waveform is spread over such
a wide frequency band, its amplitude in the bandpass of any normal receiver
is very low - so low that you wouldn't notice it even if you happened
to be tuned in somewhere on the broad band of frequencies across which
the Phantom signals go skittering. And if your receiver were sensitive
enough to hear the Phantom signal, you would probably think it was just
Incidentally, GE engineers who didn't
know the exact waveform tried to intercept the messages during the test
transmissions, just to see whether an enemy could break the "code."
The results: they couldn't. Said one, "It's like a combination lock.
Even if you know the principle on which it works, that doesn't mean
you can open it without knowing the combination of the particular lock
you want to open."
Phantom systems can use literally thousands
of "combinations" or special identifying waveforms, and they can also
change from one to another rapidly. Thus, even if someone happened to
stumble on the code accidentally - about as likely as opening a combination
lock by chance-it wouldn't do him much good. Next time he tried, the
combination would have been changed.
Engineers at Hughes Aircraft have come up with still another way to
transmit messages secretly, although the gadget they use to do it wasn't
originally developed for that purpose. Their basic approach, as a matter
of fact, isn't even new.
Back during the 1930's, Bell
Laboratories scientists built a gadget they called a "vocoder." It consisted
of a cabinet full of sound generators, filters, and other circuitry,
and it was designed to create a reasonable facsimile of the human voice.
If you turned on the right combination of circuits and did it fast enough,
the vocoder produced a series of speech-like sounds.
electronically generated words were quite intelligible. In fact, Bell's
vocoder created a sensation at the New York World's Fair in 1939, where
an operator played it from a keyboard much like that on a piano. By
pressing the right combination of keys in the right sequence, he could
make the vocoder "speak" whole sentences.
in the secrecy sweepstakes makes use of the old vocoder principle. Essentially,
the spoken words to be transmitted are fed into an analyzing circuit
which determines several important characteristics of the various sounds
which go to make up each word - pitch, intensity, and so on. This information,
electrically coded, is sent on to a receiver, which, much like the earlier
Bell Labs unit, turns these signals into intelligible speech.
The voice signal to be transmitted is applied to the inputs of a series
of 12 bandpass filters. The output of each filter is determined by how
much sound energy the word or syllable being spoken contains in that
particular frequency region.
Since the outputs from these
circuits are rectified, the sound energy going through a particular
filter shows up as a d.c. voltage. The louder the sound applied to the
input of any specific filter falling within that filter's frequency
range, the higher the voltage at the output of that filter.
Vocoder is actually
based on an idea that dates back to the 1930s. Its reconstructed speech
naturally sounds somewhat different than the original voice, but it
is still intelligible.
A final circuit - called the pitch extractor - finds out two
things. First, it determines the presence or absence of pitch. And second,
if sounds with a definite pitch are present, it determines their frequency.
By way of explanation, a vowel - an "a," for example -
is produced when our vocal cords generate a sound of a certain frequency.
A consonant, on the other hand - such as an "s" - is a less specific
sound (a hiss, in this case), requires no movement of the vocal cords,
and is at no particular frequency.
The pitch extractor
transmits an encoded electrical signal which determines whether pitch
is present, and, if so, what its frequency is. The signals from the
pitch extractor and the 12 filters go to a time multiplexer which forms
them into a single composite signal for transmission by radio.
At the receiving end, a time de-multiplexer splits up all of the signals
again and sends each one to its proper circuit. The signal from the
pitch extractor is applied to a relay, which turns on one of two circuits.
If there is no pitch present at the transmitter, the relay turns on
a "hiss generator" which produces white noise. If pitch is present,
the relay activates a "buzz generator" which puts out a sound rich in
harmonics and similar to that produced by the human larynx. The buzz
generator operates at the same fundamental frequency that the pitch
extractor detected in the speech at the transmitting end.
Now, either the hiss or the buzz (depending on which one happens to
be present at any given moment) is applied to the inputs of all the
bandpass filters in the receiver. Suppose. at one particular moment,
that the person back at the transmitter is saying "a." The fundamental
frequency of his "a" might be 300 cycles.
voice quality - the characteristics of his voice which allow his friends
to distinguish his speech from someone else's - is determined, among
other things, by the relative strengths of the various harmonics of
this basic 300-cycle tone. Let's say. for example, that the second harmonic-600
cycles - is twice as strong as the fundamental, and that the third harmonic
- 900 cycles - is half as strong as the fundamental.
for the sake of illustration, let's say that bandpass filter No. 1 at
the transmitter has put out a signal of 4 volts, corresponding to the
intensity of the 300-cycle fundamental. Bandpass filter No.3, carrying
the second harmonic, would have put out a signal twice as large - 8
volts. Filter No.5, transmitting the third harmonic, would have produced
only 2 volts.
At the receiving end, these signals of varying
strengths are applied to corresponding filters. Number 3, then, amplifies
the output of the buzz filter - which, you'll remember, is operating
at the same 300-cycle fundamental - twice as much as number 1 and four
times as much as number 5. The result is a sound very close to the original
"a" spoken into the transmitter.
The vocoder was originally
designed to squeeze voice signals into a narrower bandwidth and make
space for more messages in the crowded radio spectrum. And it does this
very efficiently. The encoding vocoder generates 13 signals: one from
each of the 12 filters and one from the pitch extractor. Each of these
13 signals can be squeezed into a channel just 25 cycles wide, and all
13 taken together require a total bandwidth of only 325 cycles.
Normally, communications channels such as those used by the military,
commercial airlines, and so on, are some 3000 cycles wide - about the
same as a telephone channel. With the vocoder, about nine conversations
can be squeezed into the band space usually taken up by only one.
A vocoder operating as described above is said to be an
analog device, that is, the voltage output of the separate circuits
varies continuously as the input signals change, and these constantly
changing values are transmitted continuously. But the vocoder can also
be operated as a digital encoder and decoder.
digitally, a sampling circuit checks each of the individual circuit
outputs some 50 times a second. The series of pulses obtained by this
method is transmitted to a receiver where an unscrambler separates the
various pulses. Then, it sends each to the circuit in the receiver corresponding
to its counterpart in the transmitter.
As you may have
guessed, digital operation gives the vocoder several outstanding advantages.
First, it can operate reliably in the presence of tremendous amounts
of interference - amounts which would paralyze an analog system; consequently,
a digital system is far harder to jam. Second, signals from a digital
vocoder can easily be encoded - by turning them into a kind of electronic
"hash" something like that used with President Kennedy's scrambler.
Then, a special unscrambler at the receiving end turns the scrambled
signals back into words. To anyone listening without an unscrambler
set specifically for the message being transmitted, the signal sounds
like pure gibberish.
Thus, with such tricky electronic
devices as these, our military forces and government officials can have
all the advantages of radio's instant communications. And they can also
have another advantage that radio has seldom offered - the assurance
that their messages have traveled through the ether in such a manner
that only the persons they are intended for will ever know what they
were all about.